Also, then, I'd like you to keep thinking about, on your own part, your own life, what you begin to feel you might do with the information of finding you can do things more efficiently and more effectively. How can you, what can you do to contribute to the total evolution of humanity, and getting it ready to operate competently in a high function in Universe, by helping each individual to higher advantage to be more efficient, to be spontaneously more efficient, to make it logical to be more efficient to make it a joy to be more efficient.

The more we really learn about big patterns then the more comprehensive we are, and the more we learn how these patterns operate, the more we can really anticipate how we could take advantage of the principles that are operative, to bring them to the advantage of humanity. To try to make humanity a success, try to make the whole ecological system a success, to begin to participate in what apparently Nature is always doing, eternally regenerating.

I find that I have to use these words, "Comprehensive Anticipatory Design Science. I gave you "science" as setting in order the facts of experience. I gave you "design" as against the happening to you, where you do it deliberately. Where, using principles then, employing order, we try to anticipate the needs of humanity, anticipate the needs of nature in general, try to anticipate the accommodation of the total intercomplementarity, using these principles then to actually begin to participate in the evolutionary formulations of nature, so we don't just have to wait and take it for granted that someone else is going to provide this thing for us, that some one else is going to invent. That each one of us has then an increasing intuition and an obligation to employ these principles in an effective manner on behalf of all humanity, and on behalf of the Total Integrity of Universe Itself in its eternal regeneration.

I'm obviously deliberately thinking about my strategies and I'm operating entirely intuitively and spontaneously, and I'm really looking around to see if there is anything that I feel, just small points, to make before going to another large scene.

I'm now going to do a little reviewing of , as I did yesterday, what is it that I'm conscious of when I say I am thinking. I'm now going to come down, to I said, if we try to find one word, just one word alone, that identifies our experience of the phenomena called life, I'd say the number one word would be AWARENESS. And then I'd also say, no otherness, no awareness, because there has to be something to be aware of. I find this very, very fundamental. And it relates very much to the complementarity. And the otherness would be, not exactly the same. Because it would bring about a tendency to differentiate as the observer from the observed. I find it fascinating to think about AWARENESS. I say, no otherness, there is nothing to look at, nothing to sense. So there would be no life under those circumstances.

I want to think about a rather simple model here of, I'm going to have an entity, and I'm going to make it a spherical entity. It's an island entity, and there are no aberrations or forces operating on it, so it tends to be spherical. And there is otherness, but it, for the moment, is not aware of it. Suddenly there is mass interattractiveness, and then an otherness that gets attracted. So we have another sphere being pulled towards the sphere. And there's just sort of aware that something is a difference in light that you are experiencing. There's something going on here. It can't really be differentiated. There's no shadow or anything for the moment, because I don't have any source of light, but this otherness, and its mass attractiveness. The two spheres finally come as close as they can to one another, until they are tangent, and they begin to roll around on one another. As seen, if you and I could see this from a distance, it would look like a dumb bell just two spheres tangent. You would not know whether they were rolling on each other or not, but you and I know that if we take two spheres and put them they can just roll around on each other very readily. And now there is a third otherness is in Universe and it gets attracted to the first two. And it is a third sphere and it comes in I'll just take a couple of spheres here, so you can get this feeling. I just want you to get a feel of these, how they can roll around on each other. And now there is a third sphere that gets attracted, and it comes and touches one of these, and begins to roll around on it, and it gets into the valley between the two. Now it's suddenly equally attracted by both of them, and suddenly we have a triangle. And triangle, is, remember, basic structure, so this has extraordinary stability. No longer can they roll anywhere around here, because we find I'm sure you've had experience with gears. You have two gears of the same diameter, same number of teeth, and apart you have one turning clockwise and they're meshed, and the other one is turning counter clockwise. They go along very nicely.

If we have four gears a train of gears, it's called, a positive, a negative, a positive, a negative then it goes great, but if I have odd numbers of gears three for instance. These two can be going like that, but then the one that comes and touches in here, can't gratify both directions, going this way and that way, and they lock. When we have odd numbers of gears in a train, they lock. So we find these three spheres can no longer just roll around. But the one thing they can do notice this one touches two others here, so it can roll in that valley like that, rolling around here. What happens is, if this one does something there is a friction here and makes the other one do it. So we find that all three of them begin to, like a rubber donut, they evolve like that. They can do that very well. So the top is evolving outwardly and the bottom is turning inwardly. So, it's just kind of like a rubber donut, keeps going around.

Now a fourth sphere appears in Universe, and it doesn't make any different exactly what size it is, and it lands on here and rolls around her, and gets in this valley, and it suddenly goes in the nest between the others. And once that fourth one is there, it locks it so that it can no longer evolute or involute. So suddenly we find that the four spheres are making the tetrahedron again, and suddenly the structure is stable, as the four interact to offset any other freedoms of motion here.

Just for fun, I was asked about eight years ago to go to the University of California at Los Angeles where they were having the art departments of all the University of California branches along the coast, annually choose one of them where they'll have an art festival that they all come together at. I was asked to the art festival at Los Angeles, and they asked me after having lectured, did I want to have a "happening." So we went into they've got a big field house and I brought a great many spheres, the Styrofoam spheres, and skewers toothpicks and rope string, and I started by having this in Universe., It doesn't see any otherness. It doesn't even know what it's doing, it's just running around I was running around the floor with this just like one of the balls, and the other one appears and they get together and add three of them and then four of them locked together. There was a little child of a couple about two years old. And this child saw me do this and ran out from the parents, out on the floor, and I was running around with all these balls, and the little child started picking them up and doing exactly the same thing. It was really very interesting how this little two year old had found just what I was doing. It was just the way it's own curiosity made it behave.

And, after the show was over, there was NBC had a team of cameramen and directors, and they said "We've been waiting until it was over so we want to make a moving picture of you." And I said, "Did you take that picture of the episode of that little child?" And they said "Of course not," and I said, ""Well, you can't make any picture of me " just to give you a little idea of my feeling about recordings. Because I do care about the live, and the way things really do happen. I care a great deal about the way things happen in this room right now.

Now, I'm going to point out that I was dealing here with spheres, and when I did a tetrahedron here before I had some points, and the four points had interattractiveness and they did give me systems. They defined an insideness and an outsideness . But we really came at things in a little different way here.

And then, I can also finding this really fundamental twoness, I could really have had this sphere and this sphere could interconnect, and this sphere and this sphere could interconnect. And these spheres are just a little too large for my hands., that's the trouble. I'm going to have to, no, take two spheres and two spheres, they're touching each other, they are pairs dumbbells. And what I want to do is to bring them together, not to make a square, but we have PRECESSION. The inter-pull makes this precess and actually makes it rotate 90 degrees, and suddenly then these two nest on these two. And if you look at a tetrahedron, it's made of two pairs of spheres, and there is a positive and a negative pair. They really do this to each other and they do this precessionally.